Struggling with distance learning? Meanwhile, Iago moves his plot into its second phase: to twist two noble traitsCassio's desire to regain his honor and Desdemona's generosityto provoke Othello's doubt of Desdemona and sexual jealousy of Cassio. What might have been a reason for Shakespeare to employ this change at the end of the act? Our, "Sooo much more helpful thanSparkNotes. What might have been a reason for Shakespeare to employ this change at the end of the act? How does Seamus Heaney reveal his culture in 'Digging' and 'Follower'? 1. During the play, Othellos Noble character is challenged by Iagos devious trickery, once Iago manages to figure out Othellos Achilles heel he decides to exploit it for his own just content. The groups will consult the. My students love how organized the handouts are and enjoy tracking the themes as a class., Every teacher of literature should use these translations. By comparing Othello to an animal, and old. You can get a custom paper by one of our expert writers. Chicago's Shakespeare Theatre essay, "1604 and All That,"along withWashington DC's Shakespeare Theatre Company'sA Cultural Context for Othello,and the Folger Shakespeare Library's "American Moor,"provide insights into what it meant to be a moor in Shakespeare's time. 2. Teachers and parents! The soliloquy also allows the audience to fully trust the character in showing his or her true beliefs. He plays on Roderigo's anger and Cassio's low tolerance of alcohol. An icon used to represent a menu that can be toggled by interacting with . Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. Othello keeps up his strong, quiet dignity in contrast to Iago's flurry of manipulations. This may be because Iago thinks he should not repent for himself as Othello should know of his good fortune. Othello begins the play speaking in a lofty register. He now believes she is having an affair with Cassio because she doesn't have the handkerchief. Though Iago seems grieved by Cassio's promotion over him, this does not seem to be his main, or only, motive. He uses this particularly well with Roderigo and Othello. He speaks of Desdemona as being "sport for Jove," and "full of game" (II.iii.17-19); his depiction of Desdemona rings false, as does his attempt to insinuate lust into Cassio's mind. Lastly, Iago appeals to Roderigos logic, or logos. Also the fact that William Shakespeare only allows the main characters to speak the truth is in his soliloquies. Shakespeare highlights that Iago has control over the characters and everyone is vulnerable to his tricks. Here we see Roderigo acknowledge what Iago is doing to him and how Roderigo will no longer tolerate it. an academic expert within 3 minutes. What step in his plan to entrap the main characters does Iago take at the end of Act II? Who says this? Before introducing this activity, download and copy the worksheet. However, Iago strikes gold when he figures out Cassio's weakness for drink; it is this flaw that makes Cassio finally seem human, and tarnishes his golden, polished image. Fordefinitions of "Moor" contemporary with Shakespeare, go first to the, Lastly, students should be introduced to the Roman god. But what is a Moor and what did it mean to be a Moor in Shakespeare's time? PDFs of modern translations of every Shakespeare play and poem. The setting changed from normal to stormy weather. At this point Othello realizes he has killed Desdemona without just cause. Kill him, kill her/Iago. However, Othello does not seek to profit from Desdemona's own attempt to "direct" a scene to his benefit. In this lesson, students explore the basis of Iago's persuasive power by analyzing his astonishing command of rhetoric and figurative language. Just as every character has their own manner of speech and expression, Cassio has a very polished, courtly way of speaking, especially of ladies. The Turkish attack may have been quelled, but it also bodes badly for Othello's ship. 302303). To love him still for prating? Definitions and examples of 136 literary terms and devices. Get your custom essay on, What does Iagos use of language in his soliloquies reveal about his true character? My students love how organized the handouts are and enjoy tracking the themes as a class., Every teacher of literature should use these translations. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters. By refusing to speak, Iago retains some of the directorial control of events that he has striven for throughout: he never reveals his inner reality to the other characters. Roderigo eventually begins to question Honest Iago, saying "I think it is scurvy, and begin to find myself fopped in it." [Act IV, Scene II, Line 189]. Iago speaks to Roderigo, convincing him that Desdemona will stray from Othello, as she has already done with Cassio. Iago's convincing rhetoric clearly reveals what a powerful-and dangerous-tool language can be, especially when used by the eloquent, but unscrupulous, individual. Women are "wildcats in your kitchens, saints in your injuries, devils being offended"; he even declares that they "rise to play, and go to bed to work" (II.i.110-114). "So will I turn her virtue into pitch / and out of her own goodness make the rest / that shall enmesh them all" (Scene 3, lines 351-353) What does this quote mean? The original text plus a side-by-side modern translation of. An illustration of an audio speaker. Thus do I ever make my fool my purse (Shakespeare). Shakespeare highlights that Iago has control over the characters and everyone is vulnerable to his tricks . Who said the quote? The storm marks the end of the peaceful part of the play, a signal that Iago's mischief is about to begin. Here Iago is trying to convince Roderigo into getting into his plan, he also says it with a vengeful tone so that Roderigo can relate to him. Therefore Iago decides to give him a cheerful speech in which he says, If thou canst cuckold him, thou dost thyself a pleasure, me a sport. (Shakespeare I.iii.360-361). In the order of their appearance, list the characters who arrive from Venice in Scene 1. That is, does Iago use any rhetorical devices to convince himself that he is in the right? -Graham S. In changing her story, Desdemona tries to spare Othello from the punishments he will receive, proving her love and devotion to him to the very last. They reveal that Iago is malicious and malevolent and his methods are manipulative. When devils will the blackest sins put on, They do suggest at first with heavenly shows, As I do now In this Iagos mentions that even Satan disguises himself as an angel, just as he does now. Rodgerio and Iago have had a bit too much to drink and they go over to Brabantios house to inform him about his daughters romantic relationship with Othello. This also shows Roderigo that he should at least have the joy of winning the prize when he dies. An illustration of two cells of a film strip. J. N. Smith. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. None of the characters in the play have any idea of Iago's plans and evil intentions; Othello and Cassio are especially unaware of this knowledge. All of the characters in this scene, misled about each other by Iago, now do exactly what Iago wants them to do. He is a ladies man, he is loyal to Othello, he has a weakness for alcohol, Iago urges Roderigo to provoke Cassio by telling him that, Iago and Cassio (Iago - manipulative, hates women // Cassio - loves women, manipulated), In Scene 3, Othello becomes angry with Cassio because, while supervising the watch, Cassio got into a fight. Iago's motives could be all of these reasons and more, or they could be none; indeed, Shakespeare leaves the root of Iago's malignancy unexplained, while showing the fruits of his evil in full. Yet, at the same time, when he tells of stabbing the Turk, he also stabs himself. Would not have made it through AP Literature without the printable PDFs. LitCharts Teacher Editions. The Question and Answer section for Othello is a great This builds on Iago's soliloquy in Act 1 scene 3, where he reveals to the audience that he intends to create suspicion in Othello's mind that Desdemona is having a secret relationship with Cassio, "after some time, to abuse Othello's ear that he is too familiar with his wife..". 1. Iago is saying this to the audience. Desdemona 3. From this time forth I never will speak word" (5.2. Cassio is a fly and Iago is gonna manipulate and "trap" him. Iago wants to see Cassio discredited, so that he may take Cassio's place as lieutenant. Determine central ideas or themes of a text and analyze their development; summarize the key supporting details and ideas. Othello essays are academic essays for citation. To Cassio, he says that the incident is not serious. Complete your free account to access notes and highlights. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. "He'll be as full of quarrel and offense / as my young mistress' dog" (Scene 3, lines 46-47) What does this quote mean? What might have been a. reason for Shakespeare to employ this change at the end of the act? When Roderigo confronts Iago with these words, it is evident that his conflict has progressed. Iago says how there are "many a duteous and knee crooking knave thatwears out his time, much like his master's ass". Shakespeare's use of soliloquies to present Macbeth and Hamlet, True Grit in the Character of Mattie in True Grit by Charles Portis. Othello: Act II Study Questions Scene i 1. Indeed, Iago is so good at lying that he is able to convince even himself that he has the soundest of reasons to destroy Othello, Desdemona, and Cassio. Iago, left uncontested. Mark me with what violence she first loved the Moor but for bragging and telling her fantastical lies. A soliloquy is when one of the characters in the play is alone on stage and speaks to himself or herself without revealing his thoughts directly to a listener, at this moment, the character will give his true opinions as if he or she were thinking out loud. What are the reasons? Later on in the play we find that Iago refers to those he resents as whip me such honest knaves the fact that he uses deception of honesty for his trickery to take place means that through honesty he is able to control those around him almost like pawns in a chest game. Iago easily convinces him out of it by pointing out Othellos shortcomings. The audience believes that this reason is inadequate and that it is only because of Othellos good fortune that he has decided to plot his revenge against Othello. If Iago is able to manipulate language to get others to do what he wants, Othello is manipulated by language. Copyright 1999 - 2023 GradeSaver LLC. But she shows her independence and loyalty to both Desdemona and to the truth. The next time around, however, Roderigo makes a direct attack on Iago saying that Iago is purposely tricking Roderigo. One of Iagos mentionings as follows I havet. "He'll be as full of quarrel and offense as my young mistress' dog" (II.iii.51-52). In the third scene of the third act, Iago's use of language makes him very visible to the audienceby this point the audience is well aware that Iago is jealous of . Iago 1 will address Emilia and ply her with as many persuasive appeals he can think of to convince her to hand over the handkerchief. The role can vary from school to school, but generally responsibilities will include: Preparing the classroom ready for a lesson. Not affiliated with Harvard College. Detailed quotes explanations with page numbers for every important quote on the site. There were some foils upon a table--some points also. Now he uses honor. The play tends to follow numerous Shakespearean literary traditions and conventions such as that William Shakespeare writes tragedies, he writes in blank verse and in iambic pentameter. Dont know where to start? He promises to turn Desdemona's generosity against her, and use it to provoke Othello's jealousy and ruin everyone. The news that Cassio has killed Roderigo is the first sign of Iago's plots unraveling. Iagos exact choice of words in this quote is very significant because not only are they racist and distasteful, they are dehumanizing Othello. Also, ask students to examine and write down Iago's reasons for wishing to appear false to Othello (see especially 1.1.833; I.3.368386; and 2.1.268294). Iago 4. In Act 3 Scene 3, lines 143-168, Iago is setting the thought process in motion in Othello's head with sort of making him 2nd guess himself in believing what Iago is telling him. This is best. (including. But Iago begins explaining the situation, saying very now, an old black ram is topping your white ewe. How? What does it mean? " "If it were now to die, twere now to be most happy" "My soul hath her content so absolute that not another comfort like this succeeds an unknown fate". Earlier he used people's prejudices to manipulate them to do what he wants. Rewrite the word correctly in the blank. An illustration of two photographs. In effect, he is defining himself as both an insider. Cassio 2. However, it seems as if he could just be using that as an excuse to ruin the harmony between Othello and Desdemona as he insulted Emilia earlier on. In fact, as play starts Iago is taking advantage of Roderigo. Iago uses the same type appeal to pride in lines 355-357 when he says that it would be better to die by hanging with her rather than to die by drowning without her. In comparison to his frantic, epileptic state in the prior scenes, Othello now seems dignified. Iago's facility with language reveals his cunning and intelligence, and makes his manipulation of Othello believable. What report does Iago give to Othello and the others about the incident? Othello arrives to see about the commotion, and finding Cassio at fault, dismisses him from his position. It is Cassio's courtly manner that makes him Othello's lieutenant; for Othello sees Cassio as a model Venetian, all poise and polish, which is something Othello wants to be, but thinks he is not. Analyze how and why individuals, events, or ideas develop and interact over the course of a text. The slow pace of Desdemona's death stretches out its brutality and the terrible consequences of Othello's delusion. Type your requirements and Ill connect you to How do Wheatley and Adams cope with: slavery; lack of security due to inaction; absolute power of men? Thanks Writer Lyla you are indeed awesome . What in-formation do Roderigo and Iago give to Brabantio regarding Des-demona . However, this isn't war that Othello is in, and things are not as clear-cut in personal battles and politics. However, all does not go according to plan; first Cassio does not die and then the entire plot is revealed to by Iagos wife, Emilia. By saying he doesn't know what happened, Iago makes it look like he is trying to protect Cassio.. As usual, Iago pretends that he does not want to say what he is about to say, which makes what he. Instant PDF downloads. In other words, Iago 2, the truth-teller, reveals what really lies behind Iago 1's blandishments. Roderigo, on the defensive and trying to present himself and Iago as a unified front, casually refers to Othello as "the thick-lips." This epithet is both an attempt to undermine Othello's military achievements with a cheap stereotype as well as a way to pit Roderigo and Iago's physical similarity against Othello's unfamiliar appearance. The hours will be flexible, paid an hourly rate PAYE. Montano and others come, and Iago entertains them with small talk and song; soon, Cassio is drunk, and Roderigo has approached. CCSS.ELA-LITERACY.CCRA.R.4. When Othello addresses his wife before a crowd in this scene, his words are all of a financial nature. Analyze Iago's arguments. . He describes Desdemona as one who "excels the quirks of blazoning pens"; he calls her "divine Desdemona," but at the same time, wishes Othello much joy of her (II.i.62, 72). Explain the incident that led to Cassio's dismissal. His curious final anecdote asserts his rightful membership in Venetian society. Students shall have a choice of doing one of two things: either writing and performing a persuasive speech OR writing an essay in which persuasive technique in the play is analyzed. American Civil War document that freed slaves in states that were in rebellion. How does the setting change from Act 1 to the Act 2? Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are also offered here. Once there's reason to exclude him from the social group, Othello quickly is diminished to the status of outsider among the Venetians. Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Dont waste Your Time Searching For a Sample. Assisting any children who may require extra support. Which lines could foreshadow trouble? As the enraged and drunken Cassio attempts to attack Roderigo, Montano steps in to stop him. Who said the quote? Roderigo is a co-conspirator with Iago but is not equal in developing a web of lies and jealousy designed to ensnare others. In Act 1, Scene 3, after talking with Roderigo, Iago has a soliloquy where he tells the audience that he hates Othello, who he calls the Moor. Iago decides that this is good enough a reason as any, even though he has no evidence whatsoever, he explains this when he says will do as if for surety. 18.03.2022, solved by verified expert. Students should note that Iago is quite right about reputation being "oft got without merit." Analyze the text to determine the importance of figurative language and metaphors to character and plot development. He is going to ruin her credit with Othello by spreading rumors of her cheating. The majority of character analyses done over the play focus mainly on the two male figures, Othello and Iago. Othello Act 2 and 3 Ques-2 2 Othello Study Guide Questions And Answers Smboys 1-03-2023 . Instant downloads of all 1699 LitChart PDFs Detailed explanations, analysis, and citation info for every important quote on LitCharts. Students love them!, Requesting a new guide requires a free LitCharts account. Exam Invigilator's needed in Colne, Lancashire. Our KS4 classroom activities and games will provoke some fascinating discussions about crime, punishment, justice and morality in different historical periods. Conclude the class by asking the students how they view Iago, Desdemona, Othello, and Brabantio as based on what they have read and discussed. Another literary tradition is the fact that he always uses morals and themes; if not multiple morals and themes such as in Othello he involves characteristics such as jealousy, greed, envy, deceitfulness, power, betrayal, honesty and revenge etc. Iago 4. They're like having in-class notes for every discussion!, This is absolutely THE best teacher resource I have ever purchased. situation and in Othello's statement, "Iago is most honest."(II, iii, 7) 14. Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. *The Temple of Abbath or - 1st Level Adventure - In which the Fey When Roderigo confronts him later on, he is gonna fight him like angry dog. How does the language change? This quote is comparing Cassio to a dog. Misrepresentation is a theme that surfaces often through Iago's villainy; already, he makes Desdemona seem like a fickle, lusty woman, which he will soon try to convince Othello of. There is no man that does not delight in being called a real man. This touches Roderigos emotions because no one wants to do something that will cause those around them to not love and cherish them when they are gone. "Honest" emerges as a key word in this scene, a constant reminder of the dramatic irony of Iago's dealings. He reassures Cassio that Othello is only angry, and will soon forgive him, Iago misleads everyone by pretending to be innocent of how the fight began and by pretending to be sympathetic to Cassio, when in actual fact, Iago was the one responsible for it all. Software. Clearing away at the end of a lesson. A messenger arrives with news that the Turkish fleet has been so damaged by the storm that it no longer threatens Cyprus. Francis Ferguson in Two Worldviews Echo Each Other describes the types of base, loathsome imagery used by the antagonist Iago when he slips his mask aside while awakening Brabantio: Roderigos opening lines to Iago in Act 1 Scene 1 take us to the very root of the problem: Iagos Use of Language and Villainous Behavior in Shakespeares Othello. "My students can't get enough of your charts and their results have gone through the roof." Iago then later describes this in his soliloquy as divinity of hell, as this is devilish acts being carries out. 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